Mastering For Vinyl Rms

For vinyl the optimum source is 24 bit dynamic and limited either extremely lightly or not at all.

Mastering for vinyl rms.

The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record. In my opinion creating a complete master for vinyl isn t necessary that is true but tailoring a completed master is that is if you want optimum sound quality. When submitting your music for vinyl production it is very important that it has been mastered for the vinyl medium. Mastering for vinyl is the process of creating a separate master that can be cut into a vinyl record without added unwanted distortion.

In summation i d say there are several things you need to check for vinyl mastering and there is a subtle optional layer of tweaking that. Howard massey is a producer engineer musician technical writer and consultant to the pro audio industry through his company on the right wavelength he is author of over a dozen books including behind the glass vols i and ii collections of interviews with the world s leading engineers and producers. According to the guardian sales of vinyl in 2016 reached an all time 25 year high with no signs of a decline. The optimal level for a vinyl cut depends on the rms or vu level and on the running time and speed 33 or 45 rpm whereas on a cd the only absolute technical restriction is the peak level.

The knowledge for the mastering of vinyl has become vital again. And the great british recording studios which includes a foreword.